Extracting time-varying latent variables from computational cognitive models is a key step in model-based neural analysis, which aims to understand the neural correlates of cognitive processes. However, existing methods only allow researchers to infer latent variables that explain subjects' behavior in a relatively small class of cognitive models. For example, a broad class of relevant cognitive models with analytically intractable likelihood is currently out of reach from standard techniques, based on Maximum a Posteriori parameter estimation. Here, we present an approach that extends neural Bayes estimation to learn a direct mapping between experimental data and the targeted latent variable space using recurrent neural networks and simulated datasets. We show that our approach achieves competitive performance in inferring latent variable sequences in both tractable and intractable models. Furthermore, the approach is generalizable across different computational models and is adaptable for both continuous and discrete latent spaces. We then demonstrate its applicability in real world datasets. Our work underscores that combining recurrent neural networks and simulation-based inference to identify latent variable sequences can enable researchers to access a wider class of cognitive models for model-based neural analyses, and thus test a broader set of theories.

Much like most of cognition research, music cognition is an interdisciplinary field, which attempts to apply methods of cognitive science (neurological, computational and experimental) to understand the perception and process of composition of music. In this paper, we first motivate why music is relevant to cognitive scientists and give an overview of the approaches to computational modelling of music cognition. We then review literature on the various models of music perception, including non-computational models, computational non-cognitive models and computational cognitive models. Lastly, we review literature on modelling the creative behaviour and on computer systems capable of composing music. Since a lot of technical terms from music theory have been used, we have appended a list of relevant terms and their definitions at the end.

As humans, we live in a remarkably complex social environment. One cognitive tool which helps us manage all this complexity is our theory of mind, the ability to reason about the mental states of others. By deducing what other people want, feel and think, we can understand their actions, predict how our actions will influence them, and decide how we should behave to be successful. Theory of mind is the cognitive capacity to understand and predict external behavior of others and oneself by attributing internal mental states, such as knowledge, beliefs, and intentions [17]. This is thought to be the pinnacle of social cognition.

In order to fully utilize robots for our benefit and design better agents that can collaborate smoothly and naturally with humans we need to understand how humans think. My goal is to understand the mirroring process and use that knowledge to build a computational cognitive model to enable a robot/agent to infer intentions and therefore collaborate more naturally in a human environment.